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Contemporary Abstract Expressionism I Forest Light

Price range: €299.00 through €1,699.00

Painted in acrylic, oil, and mixed media on canvas, this piece is built up layer by layer with brush and palette knife. Loose drips run through the surface, adding depth and a real sense of movement, and the work is finished to a refined, gallery-quality standard.

This painting has a glowing, almost mystical quality. Soft vertical shapes rise through the canvas like figures, trees, or columns of light, blurred as if seen through mist. The top edge is dark, with deep green, navy, and charcoal forming a canopy overhead. Beneath it, a band of gold and amber runs across the upper third, catching the light. Through the middle, bright sky blue and cerulean glow between the shapes, while thick strokes of white rise in three or four tall forms, like light shining through gaps in the trees or ghostly figures standing together. The lower half warms into ochre, mustard, and honey gold, mixed with hints of olive green and brown, like a forest floor lit by the sun. The sides darken into deep blue, black, and grey, framing the light in the centre. The surface is richly textured, especially at the bottom, where fine raised lines and creases run through the gold, like roots, cracks, or old gilding. The upper areas are softer and more blended. It reads as sunlight through a forest, a glade at dawn, or a memory of figures standing in golden light.

This painting is made with acrylic paint, built up in many layers on canvas. The early layers are acrylic. It dries quickly, which makes it possible to lay down colour, add texture, and keep building without waiting. These first layers set out the main shapes and colours of the composition. Different tools leave different marks. Loose, expressive brushstrokes give the painting its energy and direction. The palette knife is used to press thick paint onto the surface, scrape it back, and drag it across earlier layers, leaving ridges, broken edges, and places where the colour underneath shows through. In some areas the paint is thinned and allowed to drip and run down the canvas, adding a sense of movement that can’t be fully planned. Thin, translucent washes sit alongside thick, opaque paint. Where the washes are, light passes through to the layers below and the colour glows. Where the paint is thick, it catches the light and casts tiny shadows, so the surface changes as you move around it and as the light in the room shifts during the day. Together, these layers give the painting its depth, movement, and rich texture, and a finish that feels contemporary and alive.

Your commissioned artwork will be professionally and securely packaged with the utmost care. To ensure safe transportation, the artwork will be carefully rolled and delivered in a durable, high-quality protective tube. Framing is also available on request, with a choice of frame options to suit your preference.











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