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Contemporary Abstract Expressionism I Evening on the Amstel

Price range: €299.00 through €1,699.00

Painted in acrylic, oil, and mixed media on canvas, this piece is built up layer by layer with brush and palette knife. Loose drips run through the surface, adding depth and a real sense of movement, and the work is finished to a refined, gallery-quality standard.

This painting reads like a city skyline of Amsterdam central reflected in water, built from tall vertical strokes in a warm, muted palette. The background is soft grey and taupe, with the colours rising through it in columns like buildings or towers. The upper half is full of colour golden yellow and ochre glow strongest in the upper right, with burnt orange and amber running down the left, bright aqua and turquoise scattered between them, and tall streaks of white catching the light like sunlit facades. A dark, broken horizon runs across the middle in black and charcoal, with small white blocks set into it like windows or boats along a quay. On the right, a strong black shape rises like a building or a bridge, with a touch of coral red beside it. The lower half is the reflection. The same colours drop downward in softer, blurred streaks: ochre, orange, aqua, and grey, fading into the pale water at the bottom. A few small red flecks float near the bottom centre. The paint is dragged vertically with a knife and brush, so every colour seems to shimmer and run, like light trembling on the surface of a canal. It reads as a waterfront city at golden hour, buildings mirrored in a river, or an evening walk along the Amstel.

This painting is made with acrylic paint, built up in many layers on canvas. The early layers are acrylic. It dries quickly, which makes it possible to lay down colour, add texture, and keep building without waiting. These first layers set out the main shapes and colours of the composition. Different tools leave different marks. Loose, expressive brushstrokes give the painting its energy and direction. The palette knife is used to press thick paint onto the surface, scrape it back, and drag it across earlier layers, leaving ridges, broken edges, and places where the colour underneath shows through. In some areas the paint is thinned and allowed to drip and run down the canvas, adding a sense of movement that can’t be fully planned. Thin, translucent washes sit alongside thick, opaque paint. Where the washes are, light passes through to the layers below and the colour glows. Where the paint is thick, it catches the light and casts tiny shadows, so the surface changes as you move around it and as the light in the room shifts during the day. Together, these layers give the painting its depth, movement, and rich texture, and a finish that feels contemporary and alive.

Your commissioned artwork will be professionally and securely packaged with the utmost care. To ensure safe transportation, the artwork will be carefully rolled and delivered in a durable, high-quality protective tube. Framing is also available on request, with a choice of frame options to suit your preference.











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